Those looking for ideas to boost their businesses this year shouldn't just follow the crowd.
Everyone else might be reading The Economist, Marc Andreessen's tweets and Peter Thiel's books. But one way to stand out is by incorporating ideas from an unlikely source: a nonprofit organization.
But not just any nonprofit fits the bill. One that does is at the cutting edge of science and innovation and is involved in producing things as diverse as Radiolab, the Tribeca Film Festival and Hidden Figures, the new movie generating Oscar buzz.
That nonprofit is the Alfred P. Sloan Foundation, which was started in 1934 by General Motors Chief Executive Alfred P. Sloan.
As part of its many initiatives, the foundation essentially runs a nonprofit multimedia company that commissions and produces content with a bent toward science and technology. This content takes the form of books, movies, new media, plays, and radio and television and shows.
And the person who runs this initiative is Doron Weber, vice president for programs, who has been at the foundation for 20 years. During his tenure, he has developed acute insights regarding what makes an effective leader, lessons that corporate executives can also apply.
Here are three of Weber's tips.
1. Real change takes time. All too often, corporate executives focus on short-term, quarterly results, impressing research analysts and hinting at positive earnings guidance.
But as Weber said, "You need to play the long game, while plucking enough low hanging fruit" to satisfy those demanding short-term results.
That is how he and the foundation have helped to get a generation of people thinking differently about science and technology. Indeed, the foundation has helped to bring science and technology into the mainstream through compelling and fascinating entertainment deployed in multiple media formats.
For example, instead of betting on one major project, the foundation seeded grants throughout the film-making ecosystem, working closely with six of the top film schools, as well as providing development grants via illustrious film festivals such as Film Independent, Sundance and Tribeca. The foundation also awarded prizes to films such as Hidden Figures and The Martian to showcase the type of projects and ideas that they support.
Weber is tireless in reading every proposal himself so that he can ensure that the foundation is backing top-notch projects. Because he isn't looking for only short-term wins, he can go deeply and get invested in his work.
The flat organizational structure of Weber's one-man shop blends the nimbleness of a start-up company with the resources of a major enterprise. Imagine chief executives of media start-ups or major enterprises actually reading the books, plays and scripts that come across their desk.
To be sure, they may not have enough time to do so, but they will become intimately familiar with the content, which, in turn may raise the quality of their firm's productions. And, indeed, such quality would enhance the firm's brand, which would become a self-reinforcing mechanism for attracting better content and talent.