In addition to Stevenson’s submission, two other poster designs were awarded prizes. During this promotion, Regal’s website includes a video with Joss Whedon asking fans for their take on how to market his latest film. To see all submissions, visit the page here: www.REGmovies.com/mymuchadoposter.About “Much Ado About Nothing:” Filmed in just 12 days entirely on location in exotic Santa Monica, Calif., the film features a stellar cast of beloved, or soon to be beloved, actors - some of them veterans of Shakespearean theater, some completely new to the form, but all dedicated to the idea that this story bears retelling, that this dialogue is as fresh and intoxicating as any being written, and that the joy of working on a passion project surrounded by dear friends, admired colleagues and an atmosphere of unabashed rapture far outweighs their hilariously miniature paychecks. Shot in glorious black and white by Jay Hunter (“Paper Heart,” “Dollhouse”), the film stars Amy Acker (“Cabin in the Woods,” “Alias”) and Alexis Denisof (“How I Met Your Mother,” “Angel”) as Beatrice and Benedick, the world’s least likely lovers headed for their inevitable tumble into love. The supporting cast includes Nathan Fillion (“Castle,” “Waitress”) as Dogberry, Clark Gregg (“Avengers,” “Iron Man”) as Leonato, Fran Kranz (“Cabin in the Woods,” “Dollhouse”) as Claudio and Reed Diamond (“Franklin & Bash,” “Moneyball”) as Don Pedro. Tweet This: Joss Whedon chooses winning art for the #MyMuchAdoPoster contest @REGmovies About Regal Entertainment Group: Regal Entertainment Group (NYSE: RGC) operates the largest and most geographically diverse theatre circuit in the United States, consisting of 7,350 screens in 578 theatres in 42 states along with Guam, Saipan, American Samoa and the District of Columbia as of May 23, 2013. The Company operates theatres in 46 of the top 50 U.S. designated market areas. We believe that the size, reach and quality of the Company’s theatre circuit not only provide its patrons with a convenient and enjoyable movie-going experience, but is also an exceptional platform to realize economies of scale in theatre operations.