NEW YORK (TheStreet) -- I don't think Reed Hastings thinks he's running a scam at Netflix (NFLX) - Get Report. In fact, I consider Hastings a relatively well-intentioned guy who truly believes he holds the key to the future of -- for want of a less anachronistic term -- "television."
And, to a certain extent, he's got something with Netflix. Whether he actually conceived it or not, the whole DVD-by-mail thing was genius. He killed that, albeit prematurely, and gets 30 million or so subscribers to drop $8 a month for a limited slate of second-run (and beyond) TV shows and movies as well as a skimpy original programming schedule. Quite a racket.
And there's NFLX the stock. It's up 277% since I suggested investors
That said, putting all your coins in NFLX might end up tantamount to loading your 401K with company stock like all those poor
employees did years ago. Enjoy the ride -- no doubt -- however do not get sucked into believing you have invested in a great company with a promising future. Define the term however you will, but, Netflix will end a "scam" in that, without more bailouts, it will be worth nothing because it never really had much of anything real or tangible outside of the red envelope.
In light of competing news stories from last week, let's consider the reality I will continue to hammer home, just as I did prior to 2011 NFLX implosion I predicted.
, comes word that Netflix has signed another deal with
that gives it access to kids' programming. This comes on the heels of what will go down as an anomaly and, quite possibly,
to award Netflix "exclusive" first-run access to its movies come 2016.
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app that will give pay-TV subscribers access to ABC programming.
Let's quickly and clearly make sense of this as it pertains to Netflix.
, while still fragmented, continues to evolve. Make no mistake, TV Everywhere is not a scattered assortment of apps because old guard media executives are stupid. It is what it is because they're incredibly smart. They just don't run around telling everybody how smart they are like the Netflix CEO does.
Because, like Hastings, old media leaders see the future,
-- and this is the key part -- unlike Netflix, they control it. In fact, they have almost sole control over the future of "television." The old guard represents the future of video entertainment consumption as much as it does the past. Also,
, the old guard enjoys the luxury of overseeing a slow evolution.
Given the affiliate fees they collect and multi-million dollar gravy train checks for mostly stale and some strategic content they cash from Netflix,
and others, there's no need to rush. Why bust a model where
you sell scraps to glorified third-party bootleggers such as Netflix
while you control the most coveted programming (sports, popular originals, top cable series, etc.)?
I know this. The old guard media knows this. Deep down, Reed Hastings even knows this.
That explains his final Hail Mary pass from Netflix: its simultaneously impressive and lame original programming push.
executives and employees, particularly the ones at
, must chuckle as Hastings dribbles out originals such as "Hemlock Grove" and "House of Cards." They represent a hope and a prayer of survival in a world where premium outlets such as HBO dominate original programming with hit after hit, year after year.
If the originals don't work beyond anybody's expectations (and, possibly, even if they do), Netflix is toast.
Disney must be seeing success with its first big TV Everywhere app -- the one that streams
programming -- because it's about to go big by spreading ABC content across platforms alongside an aggressive advertising push. That's the future. One that doesn't involve Netflix. Because there's no reason it should or possibly can.
The old guard media doesn't have to buy Netflix. They already effectively own and control it. They allow Netflix to exist on their terms. As those terms evolve to include the old guard streaming more of the content it also owns and controls, it's game over not only for Netflix, but other disparate streamers. Without a novel approach, you're gone.
Because of its uniqueness, versatility and strong cash, revenue and profit position,
might have the best chance at survival in partnership with and in competition against the old guard media.
For attendant thoughts on
, as it relates to Netflix and the bigger picture, see my appearance from last week with Jake Tapper on
Written by Rocco Pendola in Santa Monica, Calif.
Rocco Pendola is
Director of Social Media. Pendola's daily contributions to
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