Pono consists of a hardware playback device, the PonoPlayer that was announced Wednesday, an online music store, PonoMusic.com, and library software that lives on your personal device, very much like iTunes. The technology for Pono was developed in partnership with the Boulder, Colo.-based audio technology company, Ayre.
The press release promises "major labels and prominent independent labels" will be represented at PonoMusic.com, although it doesn't list them and adds that the catalog will be "curated . . . for discriminating PonoMusic customers" -- a nice way of saying it probably won't have everything most of us want.
Still, it could be a significant improvement over the status quo. There are, already, some very high-resolution formats and stores with existing catalogs, but nothing like what Pono is promising with its integration of a store, sizable catalog, a hardware player and archiving software.
What will this mean to the average Joe on the street with cheap earbuds and Justin Bieber mp3s? Nothing. At least not yet. But if Pono can unite audiophiles -- and it probably will -- then it will have set a new standard for the recording industry, and the cultural expectation for audio quality everywhere will slowly be raised.
Pricey Question MarksBig questions remain, of course, beginning with the fact that at this moment, most of us haven't heard the PonoPlayer or PonoMusic's audio format. The price tag of the player is $399, although when the product officially launches Wednesday through a Kickstarter campaign, participants will be eligible for a discount. The price point is probably no accident. When the first Apple (AAPL - Get Report) iPod was released in October 2001, it was also priced at $399. As the line of iPod products and their popularity swelled over the ensuing decade, the price dropped. So that price carries a clear implication: the more popular Pono is, the faster the price will come down. The player is 128 gigabytes and will hold hundreds of albums. Memory cards will let you expand beyond that limitation. Still, you're talking about shelling out hundreds of dollars for a separate music player when people currently are used to getting a player/phone/camera/texting device/flashlight/alarm clock/pocketwatch -- OK, I'll stop -- for less than that. Plus, the new format means the old format is obsolete. Cue Agent K in the first Men in Black: "I guess that means I'll have to buy 'The White Album' again." Then there's the final wrinkle: Even as Young has labored over Pono the last few years, the music industry has moved dramatically toward streaming services. Single album sales have fallen off. Instead, we listen via some ad-based or subscription service like Pandora (P - Get Report), Spotify, Beats Music or Rdio. Still, all is not lost. Many people aren't giving up on the ownership aspect of music. As TheStreet's Jason Notte pointed out recently, a significant number are using streaming services for casual listening and buying vinyl copies of the music they really love. Vinyl sales have been in an uptrend. That alone implies that consumers not only want ownership, they want quality. And that is Pono's wheelhouse. -- Written by Carlton Wilkinson in Asbury Park, preparing to leave for SXSW
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