No Country was organized by June Yap, Guggenheim UBS MAP Curator, South and Southeast Asia, and Dominique Chan, Exhibition Curator, Asia Society Hong Kong Center. The exhibition features 18 paintings, sculptures, photographs, videos, and mixed-media works.
According to Ms. Yap, "There is a tremendous diversity of artistic practice in South and
, and certainly more artists and artworks than any single project can accommodate. In this exhibition, the intention is to present the range of aesthetic developments and subjects of interest to contemporary artists, and to challenge the privileging of nation and national narrative as a basis for understanding them. Accompanied by programs for engagement with different local audiences,
is more than an exhibition; it is a platform for discussion and exchange."
The artists in the exhibition are:
- Bani Abidi (b. 1971, Karachi, Pakistan)
- Reza Afisina (b. 1977, Bandung, Indonesia)
- Khadim Ali (b. 1978, Quetta , Pakistan)
- Aung Myint (b. 1946, Yangon, Myanmar)
- Shilpa Gupta (b. 1976, Mumbai, India)
- Vincent Leong (b. 1979, Kuala Lumpur, Malaysia)
- Tayeba Begum Lipi (b. 1969, Gaibandha, Bangladesh)
- Tuan Andrew Nguyen (b. 1976, Saigon, Vietnam)
- Araya Rasdjarmrearnsook (b. 1957, Trad, Thailand)
- Norberto Roldan (b. 1953, Roxas City, Philippines)
- Tang Da Wu (b. 1943, Singapore)
- Truong Tan (b. 1963, Hanoi, Vietnam)
- Vandy Rattana (b. 1980, Phnom Penh, Cambodia)
The exhibition—the title of which references the opening line of
"Sailing to Byzantium" (1928)—proposes an understanding of the region that transcends physical and political borders. The historical narrative of South and
stretches from the era of its ancient kingdoms and empires to that of today's nation-states and is marked by traces of colonization, division, and intervention—events and processes that are inscribed in cultural memory. South and
is also home to numerous important and influential faiths, religions, and ethical codes, including Buddhism, Hinduism, and Islam.
Adapted in collaboration with the Asia Society Hong Kong Center, the presentation places added emphasis on the impact of South and Southeast Asian spiritual and moral tenets on the shaping of the region's communities.
investigates the variety of contemporary artistic practice in this diverse region and demonstrates how the artists represented in the exhibition move beyond reductive representation to reflect on the manifestations and effects of belief.
This presentation of
divides its artworks into four thematic groupings, each of which reflects a different aspect of faith and morality. The four sections explore the impact of religion on the birth of nation-states in the region, the interplay between present-day global society and religious heritage, the question of how religious precepts may unify disparate communities or keep them at odds, and an exploration of the choices that are available to individuals and communities regardless of religious and cultural belief.
About Guggenheim UBS MAP Global Art Initiative