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June 18, 2013 /PRNewswire/ -- The Wende Museum recently acquired a significant collection of early post-Soviet stock vouchers, privatization certificates, and Ponzi scheme coupons that dominated alternative currencies of the early 1990s in
Russia. Vouchers and certificates, given to workers at the various factories and collectives as ownership shares, were bought or otherwise obtained by Russian businessmen who would be become known as
The Oligarchs, including Mikhail Chernoi ,
Boris Berezovsky, and
Relying on a mixture of criminal enterprise and convincing workers to sell the shares in the face of hyperinflation that was fast making them worthless, these vouchers became the source of much of the wealth of the present day Oligarchs, coupled with Boris Yeltsin's 'Loans for Shares' scheme that sold state companies at a fraction of their true value.
Now, in the British Pavilion at the 55
th Venice Biennale, the world's most prestigious art festival, UK artist
Jeremy Deller has provoked controversy and ignited social debate in
England by presenting an installation of the Wende's original vouchers and certificates in the 'Russian Room'. Entitled
We Sit Starving Amidst Our Gold, the exhibition is anchored by a mural of Victorian designer and socialist politician
William Morris as a giant mythological superhero throwing tycoon
Roman Abramovich's yacht into the sea. Abramovich along with the other Oligarchs are major players in the art world and are among the wealthiest residents in the UK. The illicit sources of their wealth are underscored by the larger-than-life presentation of The Wende Museum's newest collection.
According to the 2004 Turner Prize-winning Deller, "It's so important that an institution like The Wende exists to collect items from such a fascinating moment in world history. Collections like this and the museum's willingness to lend the material are the life blood for artists like myself who enjoy investigating and playing with history."