The same commenter notes that Lionel Richie has released seven albums since the last time he hit the upper reaches of
charts with material from a 1992 compilation album. That compilation came a full six years after his peak with the hit-filled
Dancin' on the Ceiling
. His latest album, last year's country-flavored
, hit the top of the
album charts, went platinum and gave Richie some country cred with help from a Shania Twain duet of
and collaboration with acts like Little Big Town and Rasmus Seebach.
So how does, say, The Steve Miller Band, put out two albums of new music since 2010 and tour arenas when most fans and college students stopped listening after reselling their copy of
Greatest Hits: 1974-78
? How did Pat Benatar release
in 2003 and tour as a double-bill with longtime bandmate and husband Neal Giraldo with anybody but the most obsessed fans knowing about either
or Giraldo? How does my cousin not only know about Dogs Eye View's 2006 album
Tomorrow Always Comes
, but is convinced that it just might be better than its 1995 debut album
that produced the band's only hit single, "Everything Falls Apart?"
To beat the living snot out of an old cliché, the music world is changing. Let's just state the obvious and say that digital music has made it a whole lot easier to follow musicians, form communities around them, give them money on Kickstarter and treat every one of their tour dates like a microcosm of a Deadhead reunion.
The not-so -bvious part about that little revolt is that it's also made it a whole lot easier for those faded artists to sneak some new music to their fans when regular radio keeps it off the playlist. Create a station based on, say, Pat Benatar's "Shadows Of The Night" on
(P - Get Report)
and you're likely to get a few tracks from those post-fame albums in the 1990s and 2000s added to the mix. Play some Steve Miller on
(AAPL - Get Report)
(AMZN - Get Report)
, etc., and you stand a good chance of having the new albums recommended to you.